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point of view shot of vs point of view shot from

Both phrases are correct, but they are used in different contexts. 'Point of view shot of' is used when describing the perspective shown in the shot, while 'point of view shot from' is used when indicating the origin of the perspective. They are not directly comparable as they serve different purposes.

Last updated: March 17, 2024 • 664 views

point of view shot of

This phrase is correct and commonly used in film and photography to describe a shot that shows the perspective of a character or subject.

This phrase is used to describe a shot that presents the viewer with the perspective of a character or subject in a film or photograph.
  • 12a. cuts from the point of view shot of 11 to a closeup of her looking at the speedometer and then turning ... frightening point of view shot of 13, which is very dramatic and potentially scary, if the film's rhetoric has succeeded in drawing the  ...
  • Finally the point of view shot that had shown both characters in the frame changes to an interpretive point of view shot of Ilsa, in CU, the aura of light softening her face and the tears growing in her eyes. We hear the voice-over of Rick's ...
  • Same Model. Point-of-view shot of a father tickling his daughter on the grass. HD 00:10. Point-of-view shot of a father tickling his daughter on the grass. Includes audio. Keywords. bond, caucasian, child, dad, daughter, family, father, girl, hands , ...
  • Point-of-view shot of a father spinning his young daughter around in their. HD 00: 09. Point-of-view shot of a father spinning his young daughter around in their yard; Fun on the water slide in aqua park, slow motion. HD 00:19. Fun on the water ...

point of view shot from

This phrase is also correct and is used to indicate the origin of the perspective shown in a shot.

This phrase is used to specify the source or origin of the perspective being depicted in a shot, such as the point of view shot from the character's eyes.
  • 7. a countershot point of view shot from her perspective of his stern demeener. This again pl,aces us (visually and emotionally) into her perspective. 6b. 7. 8. cuts to a point of view shot from her perspective of his tightening grip. 8a. 8b.
  • 5 cuts to a medium shot of Scotty looking at Madeleine. The camera is slightly to the right of the axis of action. 6 is an eyeline match cut to a point-of-view shot from Scotty's perspective. The audience is for the first time strongly invited (by means ...
  • Renault, we re-establish with a point of view shot (from Rick's point of view). Again, point of view here suggests Rick is in charge. Reverse angle is used to again emphasize the speaker's explanations. In that first case (from Victor's point of ...
  • Horror films and thrillers often use POV shots to suggest a menacing and unseen presence in the scene. In Force of Evil we see Frank-s face in a point of view shot from the killer above: Then we cut to the killer-s face from Frank-s point of view ...

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