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either the director or the actor are at fault vs either the director nor the actor are at fault

The correct phrase is "either the director or the actor are at fault." The conjunction "either...or" is used to present two alternatives, and the verb should agree with the noun closest to it, which in this case is "actor." The second phrase, "either the director nor the actor are at fault," is incorrect.

Last updated: March 26, 2024 • 2395 views

either the director or the actor are at fault

This phrase is correct and commonly used in English.

This phrase is used to indicate that one of two people is at fault. The verb agrees with the noun closest to it, which is "actor" in this case.

Examples:

  • Either the director or the actor is at fault for the mistake.
  • Either the teacher or the students are responsible for the project's failure.

either the director nor the actor are at fault

This phrase is incorrect in English.

  • The actors are paid to be valiant.
  • Director, the actors are ready.
  • The actors are come hither, my lord.
  • The actors are calling for an emergency meeting.
  • The actors are looking for a maid.
  • The actors are 10 years older.
  • Director. The actors are all set.
  • Aza is singing what the actors are playing: about herself, about her divine love.
  • The actors are come hither, my lord.
  • The actors are into their roles, the crew is solid, problems resolved.
  • Aza is singing what the actors are playing:
  • It is important that we know who the actors are and what their credit rating is.
  • The actor was also the director.
  • And then you can see the actors are listed in order of importance.
  • Behind his back, some of the actors are talking about getting out while the getting is good.
  • The camera seems responsive to motion and body heat, because the scholar Rhoda and the Actor are making their way to the ship, sharing an oxygen helmet.
  • All the actors are approved, l agreed eveything with TV station, the only thing missing is your sponsorship.
  • Decartelisation of interests must not, though, be allowed to go so far that the actors are played off against each other and end up eventually outdoing each other.
  • The activities of the actors are combined at transfer points and transfer processes.
  • But the actors, you see, the actors are very, very much real.

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